- Apr 16, 2008
- 6,441
- 8,144
- AFL Club
- Adelaide
- Other Teams
- PHX
Did Foals lose all their delay pedals or something?
Follow along with the video below to see how to install our site as a web app on your home screen.
Note: This feature may not be available in some browsers.
LIVE: Richmond v Melbourne - 7:25PM Wed
Squiggle tips Demons at 77% chance -- What's your tip? -- Team line-ups »
Seems so a bit and I'm hearing less of the Travis Bean from Yannis, but still enjoy the band. Jacks drumming is as tight as ever.Did Foals lose all their delay pedals or something?
well, i mean, i'm not gonna sit here and argue that they're some amazing contribution to artistic culture... but their aesthetic is just so nice - planning to take the old girl along on sunday @ the corner. it's a total guilty pleasure album, as much i'd never feel guilty about listening to anything.katana I last heard you were one of the few still into Best Coast. I hated The Only Place, but man, I just downloaded California Nights (is this a joke title?) and man... Feeling Ok has to be one of the finest songs of the year. Everything about it is so nice (except the video). Such a sweet set of guitar sounds.
katana I last heard you were one of the few still into Best Coast. I hated The Only Place, but man, I just downloaded California Nights (is this a joke title?) and man... Feeling Ok has to be one of the finest songs of the year. Everything about it is so nice (except the video). Such a sweet set of guitar sounds.
The Beach House album is really good. I'd argue their best.well, i mean, i'm not gonna sit here and argue that they're some amazing contribution to artistic culture... but their aesthetic is just so nice - planning to take the old girl along on sunday @ the corner. it's a total guilty pleasure album, as much i'd never feel guilty about listening to anything.
the beach house lp is 'aoty material'. jamie xx felt a little too entry-level for me, when a lot of my friends are into deeper techno. been hanging out for the new destroyer album, but from the single i've heard it sounds like he's dumped the aesthetic of kaputt, which is kinda disappointing. i liked ducktails in a way, but matt's whining vocals give me the shits, which is a shame because sonically it works really well.
oh yeah, vince staples is a ripper - nothing quite as good as blue suede on it, but norf norf (lol a relevant bigfooty reference) captures that attitude.
Agree.i was once a fan, but how annoying is mac demarco?
his whole schtick, his disingenuous lyrics (i don't believe he's half the romantic he presents himself as lyrically - and if he is then...). he's not funny or particularly interesting in any striking way just 'yeah, alright, man' - which does not pass as charisma or personality in any way. it's weird to believe it took triple j so long to realise how scalable he is, i don't recall hearing anything from 2 when the j's used to be on daily at work back in 2012-13.
Agree.
Just got Another One today and I don't really get it. I was expecting Salad Days to have a lot more keyboard on it, for him to change his sound up a lot. But two albums on and everything is the exact same as 2. Except on this new EP, he's actually writing boring songs instead of funky little ditties. I don't get how he has this currency with music critics when a lot of his stuff is exactly the same, and the coolest, funnest things he's done are well in the past. As you said, his presentation as a romantic is totally dead – it's like he's writing second hand blues or country, I don't get it.
Dude has definitely jumped the shark. He's also not very funny. It's easy to hashtag #eatturd and be a goof.
I will concede that his girlfriend is really cute and I dig his clothes.
i was once a fan, but how annoying is mac demarco?
his whole schtick, his disingenuous lyrics (i don't believe he's half the romantic he presents himself as lyrically - and if he is then...). he's not funny or particularly interesting in any striking way just 'yeah, alright, man' - which does not pass as charisma or personality in any way. it's weird to believe it took triple j so long to realise how scalable he is, i don't recall hearing anything from 2 when the j's used to be on daily at work back in 2012-13.
I don't know why he didn't get into synths. It's probably the biggest guitar band cliche ever but seriously, it still had his sound to it while being far more unique.McKirdy was the only presenter who would give anything off 2 a spin, usually "Freaking Out the Neighbourhood". I can't begrudge Mac for what he does but I would have liked him to have changed it up a little by now. Haven't heard Another One yet. "Chamber of Reflection" was the best song off Salad Days simply because it was different to his usual work
Listened to it a lot in the last month, really enjoyable and it's remarkably fresh, considering how easy it is for bands like this to get repetitive and listless.Anyway, anyway else digging Depression Cherry? Honestly sounds like a parody title but whatevs, I'm into it. Beach House are a good example of a band who have changed enough – Teen Dream was 100 times better songwriting, Bloom was it in widescreen, this thing isn't all dreamy but almost kind of angry and depleted? This is one of my favourite songs of the year... sounds like a Xiu Xiu collab.
That line about "say you'll remember me, standing in a white dress, looking at the sunset babe" is such a classic pop line. I genuinely like it in context to that album/song/her (pretty transparent) image.Why is Wildest Dreams only getting released now? I swear I've been enjoying that song for the best part of 6 months, if not more! Easily the second best song on 1989.
Yeah I'd say top 4:That line about "say you'll remember me, standing in a white dress, looking at the sunset babe" is such a classic pop line. I genuinely like it in context to that album/song/her (pretty transparent) image.
Still reckon That's How You Get the Girl is the best song on there. Good chuggy verses and that chorus... hits and has some stretched out vocals. It's so good. That and Blank Space and the non-Kendrick version of Bad Blood are still my favourites. Love New Romantics too.
Of course it's not #cool music for this #cool forum but I have specific and meaningful memories of rinsing it all weekend. It's no different to AM, MVOTC, Everyday Robots, The Magic Whip, or In Colour in terms of being able to nail a fun time in my life. I remember I went out on the Friday and ended up smoking pipe after pipe (and then she did it. Wheeeeeey fellas) with these lame arse Melbourne Uni kids in Princes Park. Then I got it done, slept at my mate's in the city for three hours, woke straight up and got the V-Line for a Saturday night out in Geetroit. Spent Sunday watching the Wanderers win the Asian Cup and sending a girl I'd cut it off with a text because I felt so weird. Ended up reigniting it and I'm still seeing and liking and now talking about on a forum-ing that same girl. You can't dispel any music that brings back something so memorable to you. I think of that as one of those weekends that summed up being 20.
"Let Her Go" was the best song off Salad Days - and probably the best song he'll ever write - because it was bloody nice little ditty, no matter how polished, or 'commercial', it may have been."Chamber of Reflection" was the best song off Salad Days simply because it was different to his usual work
I just got back from Europe so I'm looking forward to sussing out some albums. I haven't heard the Vince Staples album but I've been waiting ages. The new Ducktails is on the list too. I heard Surreal Exposure over there and loved it – one of the better guitar tunes this year; as always, a nice foil to Real Estate. Disappointed I couldn't catch his show in Gothenburg.