What are you listening to right now? Pt VI

[Here2tellyouwhy]

 

[CliffMcTainshaw]

How about some homemade music.

 

[CliffMcTainshaw]

Could be the best ever live album by anyone.

 

[Noire]

 

[CliffMcTainshaw]

Some great voices here. Lovely.

 

[CliffMcTainshaw]

What a voice.

 

[CliffMcTainshaw]

Some more Robert Randolph with his 13 string pedal steel guitar. Amazing. If these don't get your feet tapping, you ain't got any!

 

[CliffMcTainshaw]

This is just wonderful. Live from Daryl's House.

 

[Ocha905]

So catchy but don't know what genre it is.. country jazz?


And what I'd give to sing along to this at a live gig.

 

[CliffMcTainshaw]

This is just a wonderful song. Amos Garrett's guitar playing is as good as it gets. Wonderfully tasteful and restrained.

 

[CliffMcTainshaw]

I listened to Mike Auldridge's "Blues and Blue Grass" again recently. A really wonderful album.
This is the last track from the album, "Everybody Slides" with Lowell George from Little Feat. Great guitarists.

 

[deanc]

The odds on this collaboration being the brainchild of and produced by Jeff Lynn, with Prince perhaps adding the odd suggestion, are Winx like...!

From what I've read - Petty has rarely organized anything in his life, Winwood is so unreliable you'd need to collect him on the way to the venue and Harrison (aside from being George's son) I don't know anything about...

 

[Here2tellyouwhy]

The odds on this collaboration being the brainchild of and produced by Jeff Lynn, with Prince perhaps adding the odd suggestion, are Winx like...!

From what I've read - Petty has rarely organized anything in his life, Winwood is so unreliable you'd need to collect him on the way to the venue and Harrison (aside from being George's son) I don't know anything about...

Most of these things are organised by promoters. Still a decent set.

 

[deanc]

Most of these things are organised by promoters. Still a decent set.

A risk of protracting a debate - Yes, promoters book the venue, coordinate the technical set-up, undertake the marketing and are sometimes involved in artists contracts - but they have very little say in what is actually performed on stage and by who - as in most cases, it's simply not their role...

 

[twotooto]

 

[twotooto]

 

[CliffMcTainshaw]

 

[CliffMcTainshaw]

I'm going to be busy this week so I've put in a song for each day of the week.



















[

 

[Here2tellyouwhy]

A risk of protracting a debate - Yes, promoters book the venue, coordinate the technical set-up, undertake the marketing and are sometimes involved in artists contracts - but they have very little say in what is actually performed on stage and by who - as in most cases, it's simply not their role...

Yeah I really dont know hey. I just drink and listen too tunes.
More into hardcore politcal punk. No promoters etc, hell some dont even have labels or contracts

 

[deanc]

Yeah I really dont know hey. I just drink and listen too tunes.
More into hardcore politcal punk. No promoters etc, hell some dont even have labels or contracts

No worries, I've worked with a few promotors in the past, providing legal contractual advice and for what they do and the risks they undertake, most of them are paid a pittance and without insurance, some simply couldn't exist.
Huge amounts of day/hours, coordinating and managing checklists into checklist details and then the artist arrives and says; 'don't like the lighting, the stage is too high, get rid of the first 10 rows of seats, why isn't there fresh fruit in my green room?' etc. etc.

 

[bushwood]

 

[bushwood]

 

[bushwood]

 

[Hoos]

 

[mellowyellow]