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Writers can suggest headlines. That's fine. And if they happen to suggest a perfect webhead, happy days. But it's rare that happens.1) I've bolded what you've alluded to as how headlines are produced, however I still don't fully understand why the authors wouldn't suggest their own headlines or at least have a say in the headline, to ensure it reflected their story accurately. Nobody knows or cares who wrote the headline, but they will certainly identify the journalist who wrote the story.
As for print, that's determined largely by layout. If that story appears as a 'two column drop' down the side of the page, maybe you have to write a headline which is three lines of 12 characters each. Any suggestion from the reporter, even if it's well-intentioned, is immediately useless. You have to find a way to make it fit relatively evenly.
And writing a headline for a piece that goes online isn't simply a case of accurately summarising the content that follows. A good webhead can make all the difference between people clicking on it or ignoring it. It sells the story. I don't want to make it sound like some kind of 'special knowledge' but there is a knack to writing a good webhead. It's not just a case of repeating the appropriate headline for the piece as it appears on the printed page. There's a different approach required. And honestly, writers aren't necessarily very good at it either. It takes practice. It's hard for me to demonstrate further without showing you a bad webhead vs a strong webhead on the same story. Maybe that's the next step?
But, in theory, the online minion who writes 30 webheads a day should be way more effective at it than the writer who "suggests" a webhead for their own story. The online minion should be sacked if they aren't. The problem is when the webhead doesn't match the story. And I agree, that's annoying. But it's not a solution to say the reporter should simply stipulate their own headline. That's a non-starter.
I understand that this probably doesn't persuade people.
Some context: At a newspaper, there's a division between the people who generate the content (the writers, reporters, columnists) and the production staff (subs, design, pic desk, the people who put it all together, in print and online). If you're lucky, those production staff are a bottomless reservoir of serious technical knowhow. I mean that. The content people are the "talent" but it's the production staff that do the heavy lifting and really execute on the nitty gritty. At one point I worked on a British paper and it was on the production staff that you would find guys who could remember every big football result going back 40 years – what stadium, who scored first, who gave the pass etc. It's the freaks on the back bench who are the real savants and the real obsessives – not only about factual detail, but also the way language is used. It's not the writers, who, by comparison, have been around five minutes.
So with that split between 'content' and 'production' in mind, that's how you end up with some minion writing a headline that doesn't fit the story. Because these papers that you're reading have decided that it's not worth preserving that hardcore reservoir of detailed knowledge compiled over the course of a professional lifetime. That guy who has covered sport for 40 years and spent his entirely professional life weighing and arguing the details has been replaced by a 25-year-old who'll do the job for half as much. You can't make that change and expect there will be no shortfall in quality.
Look at the decision made with some of the Fairfax regional papers – and I believe it's been reversed because it was such a disaster (I could be wrong). But they made the decision to gut the back benches from some of their regional titles – this reservoir of serious, highly focused knowledge that vastly outstripped whatever the rotating roster of 20-something reporters knew. And they decided that any douchebag could be a sub-editor. So they set up a sweatshop in New Zealand because it was cheaper and decided that their papers could be produced like that. No local subs at all. Forget the accumulated knowhow of the staff who had been working in that neighbourhood their whole lives. That counts for nothing. They could do it cheaper in New Zealand so what's the difference?
And then people come on BigFooty and complain about "bad journalism" because there's a typo in a caption on a website they (mostly) access for free.
The saturation is the reason the AFL is way ahead. The AFL has a commercial interest in that saturation.2) I'm not sure why you compared AFL to NRL in terms of content and coverage. AFL is well ahead but still doesn't justify the media saturarion that occurs. The AFL seems to model itself off US sports, particularly NFL, so perhaps that would be a better comparison?
It's a content model. AFL generates shitloads more content than NRL, directly or indirectly. And is therefore worth more to the various outlets.
There's no point comparing AFL to NFL/NBA when we're talking about the Australian market. Sure, the AFL has adopted certain equalisation measures, maybe for roughly the same reasons – but I think US sports are less analogous than people think, purely because of the college system. Franchises over there are generally recruiting guys aged 21-22, versus AFL clubs drafting and developing teenagers. There's a whole preliminary industry in the US that revolves around preparing players for the professional league. And people just ignore that when drawing the analogy between the AFL draft and the NFL/NBA draft. Surely there is a substantive difference there.
So I compare the AFL to the NRL because they are swimming in the same soup. They are competing in the same market. And yes, the AFL has prospered by adopting some of those equalisation measures from overseas. But the NRL could do the same if they wanted. And, ultimately, it's by looking at the way the AFL has smashed the NRL in broadcast deals that you truly gauge the value of these media strategies.
I think he's better than you think.3) I'm still not going to comment on how terrible a journalist Mark Robinson is...
I think if you met him in a pub and challenged him politely about his work, he'd make a decent case. Journalists tend to be pretty good at that.
Robinson has ended up on TV and everyone thinks he's a joke but I promise you he shovelled some s**t to get there. These guys aren't guessing. They're not making s**t up for the sake of it.
They're thinking: 'What can I tell people that they don't already know?'
Granted, that approach can lead to some shoddy, reckless reporting. But that central, animating question is worth defending. What is the alternative?
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