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Up front I will say I haven't yet read the book - I had to get it ordered in as it was sold out at bookshops I visited (yes, we have those in Brisbane).
But it is interesting that the book didn't get a ton of vitriol until about 6 years after it was published.
This discussion is happening in a few threads, but it's probably a good idea to give it its own thread given the recent reactions.
But it is interesting that the book didn't get a ton of vitriol until about 6 years after it was published.
Dark Emu appeared in bookshops in March 2014 much as most books do: with a brief publicity campaign arranged by its publisher. Bruce Pascoe was already something of a public figure – as well as publishing a short fiction journal during the 1980s, he’d written a number of novels and a well-received history of Australia’s frontier wars, Convincing Ground (2007) – and he is a wonderful storyteller, so he appeared on radio and at literary festivals more often than the average author of the average new release. And Dark Emu’s thesis is more than merely fascinating. It drops into the deepest faultline in the national conversation and strikes one more blow at the foundational myth of the colonial settler state: that it was built peacefully, lawfully and not on genocidal brutality.
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Dark Emu isn’t an “academic” history, because its author isn’t a trained historian (he has an education degree and taught in regional Victorian schools). Dark Emu’s cultural role, much like Tim Flannery’s The Weather Makers (2005) and Henry Reynolds’ Why Weren’t We Told? (1999), is to “translate” knowledge hitherto trapped inside the academy and broadcast it to the world.
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It wasn’t until the NSW Premier’s Literary Awards’ judges voted Dark Emu its book of the year in May 2016 that it began to attract major attention. The book was adapted by the Bangarra Dance Theatre in mid 2018, by Pascoe himself for children (as Young Dark Emu) in June 2019, and as an ABC documentary by Rachel Perkins’ Blackfella Films (planned to be screened this year). These last two adaptations in particular brought Dark Emu to the attention of Australia’s reactionary right, which has now built a sizeable echo chamber inside such institutions as Quadrant, Spectator Australia and the Fox News–styled Murdoch stable, including Sky News Australia and, of course, The Australian.
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For all its problems, Dark Emu is not merely weathering the attacks. It charged back up the nonfiction bestsellers’ list and has occupied the number 3 spot for the past fortnight.
Pascoe himself has lately stayed away from the limelight; wisely, given the rancour. Most of his energies over the summer have been concentrated on defending his home from bushfires. As with most public debates in the age of Twitter and Fox News, there seems little possibility of kindness or compassion or shared understanding here. Since it reorganised to protect settler Australia’s colonial legacy, the right has been on a permanent seek-and-destroy mission, setting its coterie of mainstay attack-dog columnists and narrowcasters on what they see as objectionable individuals with relatively brief and middling influence.
This discussion is happening in a few threads, but it's probably a good idea to give it its own thread given the recent reactions.
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