
- Mar 9, 2007
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And sometimes they're not.Some times the youngin's are just simply better.
And sometimes they're not.Some times the youngin's are just simply better.
I am always moved even excited to watch this, a 70+ year old Aretha tearing this one up.
She's not. She died 3 years ago.Wow, did not even know Aretha Franklin was still alive.
No longer sadly. Died a few years back.Wow, did not even know Aretha Franklin was still alive.
Youre too quick for me!She's not. She died 3 years ago.
Only by a few seconds I think. Pure dumb luck.Youre too quick for me!
From the female singer canon, this may be the most challenging listen I've ever had.
Billy had pretty much been beaten up by life by this stage, her voice was shot. The Ray Ellis orchestration was profoundly sorrowful. I am still not sure what to make of the album, it is extremely sad listening to the remnants of the voice, it works emotionally, but I also feel this is the last squeeze of the rag extracting the final drop from Billy by the industry.
This contrasts with Johnny Cash' final releases, eg Hurt, his voice not what it was but still delivers the required affect and emotional / spiritual revelation. Cash didn't make me feel sorry for him, I admired him the more for those last records, but in Billy's case, I just felt deeply sad for her.
Yep.
It was bad enough to be born black in early 20th USA let alone also enduring the dysfunctional childhood Billie had.
Didn't have too much happiness in her life. Had an element of self-destructiveness as well but who can judge her for that?
It is interesting you showcased Billie.
Angelina (the girl in the mash-up with Ella) openly states that, if not for hearing and listening as a 3 year old to Billie, she never
would have pursued singing. Billie is her inspiration.
This is Angelina as a 7 year old on Norway's GT singing I'm a Fool to Want You.
BTW: You and Hoos confuse me with your almost interchangeable user-names.
Would you believe that I've never noticed, lol?BTW: You and Hoos confuse me with your almost interchangeable user-names.
Goes without saying.Well Hoos and I may share pristine musical sensibilities, but when it comes to supporting footy teams, one of us is miles ahead of the other.
It’s a bit the same with blondieI think I did not pay much respect to Divinyls originally because I assumed due to performance of the lead singer it was just a stupid theme band like many bands were in 70's and 80's and her theme was to pull faces and all types. But decades later I actually listen to more of their music and think they a great rock band that I should have respected like Midnight Oil, The Angels, Cold Chisel, AC/DC, Rose Tattoo and other great Aussie rock bands of era just before them. Given The Angels and Midnight Oil also had theatrical front men I should have not pigeon holed them.
Blondie was a bit before my time and not Aussie rock band. I kick myself I never made a point of seeing Divinyls when I know now, I should have.It’s a bit the same with blondie
Blondie was a bit before my time and not Aussie rock band. I kick myself I never made a point of seeing Divinyls when I know now, I should have.
There are not many bands I missed seeing but now regret. That one I should have as they were around in late 80's when I had the chance in my youth to go see lots of live gigs.
Hoodoos indeed were big on the college scene in 'merica. I had some yank chums who sang their praises.Hoodoo Gurus done ok in the college scene.
Little River Band strangely made it big too, as did Men at Work.
Farnham had a crack too and done a bit of soundtrack work on American films trying to get big over there. Made some cool stuff.
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Bang on. As a teenage boy, Suzi Demarchi was a goddess to me.Angels left Alberts as they thought they, particularly by Young and Vanda, were holding them back from making it in America. We'll never know what could've been, but they can't say in hindsight that was the case.
Rose Tattoo done a little bit of ok and influenced a young Axl Rose.
Hoodoo Gurus done ok in the college scene.
Obviously AC/DC and INXS conquered the world.
Little River Band strangely made it big too, as did Men at Work.
Divinyls made a decent dent later in career along with Midnight Oil.
The one that I reckon should have been huge was Baby Animals. Unfortunately they came too late, after grunge took off. Them and Buffalo in the 70s, playing great Sabbath style metal, but they barely made it at home. Maybe Dragon were pretty good too, very catchy pop rock.
Hunters and collectors and Chisel were just too Australian I think for the yanks to get. Chisel turned their back on the opportunity too, the industry wanted to get them a go but they weren't interested.
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That sounds like a very unpopular opinion.Bang on. As a teenage boy, Suzi Demarchi was a goddess to me.
Farnham also performed with Queen