Mercurial89
Brownlow Medallist
Side note, played poker at Willa Hollands house recently. What a QT . Still won't watch Arrow though, hah.
Loves to post some interesting photos to instagram. Seems like a cool chick
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Side note, played poker at Willa Hollands house recently. What a QT . Still won't watch Arrow though, hah.
She's the best character in the show. Hate how she has a reduced role nowSide note, played poker at Willa Hollands house recently. What a QT . Still won't watch Arrow though, hah.
It's a who's who of Irish actors/faces.Interesting cast.. Brendan Gleeson, Chris O'Dowd and Dylan Moran.
Side note, played poker at Willa Hollands house recently. What a QT . Still won't watch Arrow though, hah.
Late to the party. But how does one get an invite to her house for poker?
Asking for a friend.
Nice use of Eleanor language thereJust saw Coco the new Disney Pixar film yesterday. Holy. Forking. Shirtballs. The feels.
This film will make you bawl your eyes out as well as laugh out loud. It’s brilliant.
Go see it
Yeah they were pretty meh. The search for more cash.Finally got around to watching the Hobbit films after re-reading Fellowship while camping. What stinkers - and what could've been with Del Toro.
Mmm, I think with sufficient development work it'd make for a quality TV series. There's certainly sufficient material. The films' problem is that, in lieu of that development, Jackson just took the worst parts of LOTR and repeated them ad nauseum over eight hours.
dafuqverisimilitude
TV would just take Jackson's problems and explode them out by 10. This so-called golden age of television should be termed the Age of Narrative Bloat.
There's more character, development and intrigue in 80 minutes of 12 Angry Men than 7 seasons of Game of Thrones.
Jackson's films have never really been my go in the main, but his original three, at least in their theatrical form, have great verisimilitude and presentation, and he alters his shooting style dramatically over the course of the films. Fellowship visually has more in common with Heavenly Creatures (his actual masterpiece) and The Frighteners than Return, where the camera is restrained to a more classical, Lean-esque look. But his reverence for Tolkien is his Achilles heel - only an uber-nerd would think that appendices are worth adapting, as if everything that bubbled forth from Tolkein's pen was pure gold.
Conversely there's never been a proper film made of Shakespeare's bonkers medieval trilogy of Henry VI. Go figure.
I certainly wouldn't put Jackson in charge. In any case, as a book the Hobbit is very much a sequence of self-contained episodes. That narrative limitation becomes a narrative flaw in the films, which have the same "this happened then this happened then this happened" feel to them, amplified by the decision to make them a rolling sequence of set-pieces, but without the excuse of being individual bedtime stories. That carve up with all the attendant cliffhangers would however lend itself to a serialised format - though only across a season or two.TV would just take Jackson's problems and explode them out by 10. This so-called golden age of television should be termed the Age of Narrative Bloat.
Alas, hardly unique to the adaptation. The first book is perfectly sound, and hence so is the first season. After that though, it devolved into thousands of pages of characters moving from A to B while painfully transparent reveals were manoeuvred into place, something the series merely reflects. As with said Hobbit films, there seems a nasty habit in contemporary fantasy to write nine books where two of three would suffice - or eight and a half and then drop dead.There's more character, development and intrigue in 80 minutes of 12 Angry Men than 7 seasons of Game of Thrones.
And yet a good 5 hours of the Hobbit films are the equivalent of Legolas doing his best Tony Hawk impression.But his reverence for Tolkien is his Achilles heel - only an uber-nerd would think that appendices are worth adapting, as if everything that bubbled forth from Tolkein's pen was pure gold.
Also on this point, did you catch Wolf Hall? I felt Rylance and Lewis were typically excellent, but in inexplicably cramming the first two of three books into a single English cycle of six episodes they ran into the opposite problem, destroying their capacity to appropriately pace the story.TV would just take Jackson's problems and explode them out by 10. This so-called golden age of television should be termed the Age of Narrative Bloat.
I certainly wouldn't put Jackson in charge. In any case, as a book the Hobbit is very much a sequence of self-contained episodes. That narrative limitation becomes a narrative flaw in the films, which have the same "this happened then this happened then this happened" feel to them, amplified by the decision to make them a rolling sequence of set-pieces, but without the excuse of being individual bedtime stories. That carve up with all the attendant cliffhangers would however lend itself to a serialised format - though only across a season or two.
And yet a good 5 hours of the Hobbit films are the equivalent of Legolas doing his best Tony Hawk impression.
Also on this point, did you catch Wolf Hall? I felt Rylance and Lewis were typically excellent, but in inexplicably cramming the first two of three books into a single English cycle of six episodes they ran into the opposite problem, destroying their capacity to appropriately pace the story.
The what now?vaginal surgery subplot
The what now?
I am definitely googling that later.Long story short, stick to the film(s).