Cleavy
Hall of Famer
we had a shot of a male Blues supporter with a young child on his shoulders, at least pan the camera back to show both of them.At one point we had a close up of a pole that Longmire was standing behind.
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we had a shot of a male Blues supporter with a young child on his shoulders, at least pan the camera back to show both of them.At one point we had a close up of a pole that Longmire was standing behind.
100% agree with this.Zooming in on the ball travelling towards the goals on a set shot is annoying. You lose so much perspective and can't see the players on the goal line and goal umpire (which provide perspective on depth and accuracy), and have no idea whether the ball is going to sail through for a goal / behind or drop ten metres short.
Usually the best information you can get about what a shot is going to do is the goal umpire. Once they zoom in the vision on them is one of the first to disappearZooming in on the ball travelling towards the goals on a set shot is annoying. You lose so much perspective and can't see the players on the goal line and goal umpire (which provide perspective on depth and accuracy), and have no idea whether the ball is going to sail through for a goal / behind or drop ten metres short.
Disagree enzso.
The worst thing any Director can do at the moment the final siren sounds is isolate a player or coach (or a single person in the stands).
Get the emotion of that instant on multiple players of both teams with the crowd in the background if possible.
Hold that shot for a few seconds then start going for iso shots.
In too many games, particularly Grand Finals, it is clear that the Director has chosen a particular person for their final siren shot and often follow them for some time beforehand even if they are nowhere near the ball.
Annoys the heck out of me.
The camera was so tight on the ball that any random bounce or kick going somewhere unexpected was lost. It was truly awful for large periodsGod it was so bad last night
Agreed, would have been unbearable if there wasn't so much on the line.The camera was so tight on the ball that any random bounce or kick going somewhere unexpected was lost. It was truly awful for large periods
Mixed with BT horrific call and the lack of skills on display it made for a really, really long night. If it wasnt a final id have turned it off
Should be the other way around?Apart from the usual unnecessary close ups, one other thing annoying that happened during the Friday night game was when live play was in a mini screen in the bottom right corner while the main screen was showing a replay.
You can't see how far he ran if it is a close upThe first quarter of the second preliminary final was shocking. Starting with the first goal from Matthew Cottrell. He had a long run in towards the goals and then as he is about to kick, 7 switch to a close up of him.
I actually find this weird.
The 1 - 2 shot style of footy has been around since 1965. Close up on marking contests, ball in hand etc.
With the advent of huge tv's and wide screens, the cameras are more zoomed OUT than ever. Entire passages of play go by with the ball being chipped around and the camera so zoomed out that you can hardly, if at all, see the players' numbers. And even the 'close up' camera is far wider than it used to be. Ever since 7 took back the rights, cameras are way, way zoomed out. Compare, say, the 2011 GF (10) to last year's (7).
If you want zoomed in, look at 7's camerawork in the 90s, when ball-carriers were zoomed right into from cameras in the forward pocket.
Each to their own, but I find the 'viewed through the wrong end of a microscope' style of camerawork too conservative and too boring. I'm not an idiot, I can tell from the regular super, ridiculously wide shots where players are. Can't others? This is not soccer or the NFL.