TheFreshBanana
Hall of Famer
- Joined
- Mar 13, 2011
- Posts
- 36,270
- Reaction score
- 24,163
- Location
- Melbourne
- AFL Club
- Collingwood
- Other Teams
- Liverpool
Yeah nah **** this shit. I'm chucking on something light hearted and going to bed
Follow along with the video below to see how to install our site as a web app on your home screen.
Note: This feature may not be available in some browsers.

Just started watching the butterfly effect....
Wtf is this a horror film? Because I DONT watch scary films... let alone 3am before bed...
Log in to remove this Banner Ad
Australia's first screening was a member only screening at the Canberra International Film Festival. I don't think it comes out for another 2 weeks here.Is Nightcrawler out yet?
X-Men - 8/10
X-Men 2 - 9/10
Watched them both this morning....for the first time. Yes you read that right.
Do some reading up on it. It will help you enjoy it.Enemy (2013)
I'll be honest, I didn't get it. So not going to give it a score.
Yeah, I saw a couple of YouTube videos that had a go at explaining the movie. Makes a bit more sense now, but still a very confusing and odd plot. Not really my cup of tea, but Gyllenhaall's acting and the creepy soundtrack were both top notch.Do some reading up on it. It will help you enjoy it.
Enemy (2013)
I'll be honest, I didn't get it. So not going to give it a score.
That rape scene in The Girl With The Dragon Tattoo is 100% disturbing.
I feel violated just watching it.
I agree, bad, try watching the rape scene from "Irreversible" - worse.
Twilight: New Moon
If my supernatural life were to be this dreary, I'd rather stay human.
Don't get what all those vampires and werewolves see in Bella.
She's no Sookie Stackhouse, that's for sure...
Fair enough - personally I thought it was complete excrement (but opinions be opinions).I quite enjoyed that film.
I haven't watched it for a few years, but at the time I quite enjoyed the story. Boy got the girl etc.Fair enough - personally I thought it was complete excrement (but opinions be opinions).

.
heard about it, dont think ill make a point to view it.

Nolan's deficiencies as a filmmaker have never been more fully exposed as they are here. His worst film, his first genuine dud, and while it is currently regarded as a divisive film, I suspect that attitudes towards this film will only degenerate in years to come. When aiming for the stars, don't ever forget the basics, and ultimately Nolan will have to live with that.
The screenplay is frankly terrible, it's an absolute train wreck. Nolan’s obnoxious handling of multiple physical and time settings, and attempts at profound sentimentality, completely implodes all the goodwill of the film. I cringed several times and even contemplated walking out at one point. The amount of unnecessary expository dialogue, which wasn't a significant problem for me in his previous efforts, absolutely killed the narrative flow. The dual concerns of mission and relativity drama are also imbalanced, often forced to eat each other alive, negating all care factor. The space narrative is drained of all its flow, rendering the planets devoid of interest. Due to all this irritation, moments like the biased interests of Cooper and Brand, the repeated quotes of Dr Brand, and the deception of Mann, will be the tipping point for certain viewers. His emerging trademark of ratcheting up climactic moments with incessant narrative jumps has also never felt more inappropriate. In force feeding his narrative into unnecessary levels of obesity, audience interest falls flat. Ultimately, only 1-2 characters really resonate at all with the audience, whilst the rest remain half-baked. Some solid acting from the core players can only paint over so many cracks.
Nolan has always gravitated towards film worlds that are a little off kilter and are pieced together like a puzzle, as well as delving into the greyed areas of interesting moral questions. Interstellar is not without merit, and has a lot of neat ideas. The opening first act before heading into space was mostly solid, creating an interesting near-future world which is thankfully not overwritten. The rewriting of the history of the Apollo missions was a nice touch that sums up the nature of this particular setting. The entrance of Casey Affleck is a powerful moment of cinema. The Glass-esque Zimmer score is well-pitched. And it is certainly a thrill to see physics come to life on the big screen in such a manner. Interstellar is not a complete disaster, there is enough merit here to praise certain aspects of its film making.
However, those sections of the audience who appreciate the art of storytelling will be intensely aggravated by this film. There is a fundamental disregard for tasteful aspects of film craft here that really rubbed me the wrong way. The handling of the narrative is so significantly flawed as to completely undo all other attempts at something special. In trying to pull off hard sci-fi at the same time as Spielbergian blockbuster, he fails miserably. Far from stellar.
Interstellar does provide an element of genre clarity. It is problematic enough to scare you away from ever wanting to see another film about saving Earth/the human race ever again. There are not many film classics that explicitly concern themselves with that narrative device crutch, it is a cursed plateau. Something like Gravity was wise enough to steer clear of it.