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Lol I seen that when I was 8, I always figured it was his fist gripping the gun.
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Nonetheless, Tarantino is a bit of a bitch who has delusions of grandeur that he is just as dangerous as the characters he writes.
They really weren't. McLaren was a businessman. He'd seen what had been going on in Detroit and New York for years and thought he could bring it back to England and market it. He worshipped at the alter of Johnny Thunders, Iggy Pop, Fred Sonic Smith, Ramones etc like everybody else with their ear to the ground at the time. The Sex Pistols were essentially the punk rock Monkees.
That's probably overstating things a tad.
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Indeed, they were a manufactured band. We even knew that at the time, hand picked kids who were into the scene, but it get's lost in the euphoria
McLaren read the public mood well. He wasn't stupid. He could see the public was growing tired of monolithic corporate stadium rock bands whose stage theatrics were just getting out of control, and that things were ripe for a big shake up. He'd seen what had been going on in the small clubs of New York and Detroit for a number of years and thought "this is the ticket".
No one's denying the Sex Pistols were a hugely important band, they clearly were. The fact alone that they influenced shitloads of people to pick up guitars and say "I can do this too, I don't need to play like Jimmy Page to be in a band!" was huge in itself. But the idea that one day it just went *BANG!* and the Sex Pistols appeared like a bolt of lightening out of the nowhere playing this "new" form of music is pretty laughable.
The idea of them all hand picked by McLaren for his vision is "Bollocks" though pardon the pun
Jones and Cook were in a band together before they even met him and hung out at his shop, he ddi pick Lydon out off the street that's about the size of it meh anyway he gets too much credit he always has.
Except when AC/DC went over to the UK and blew everyone's minds, leading to a brief period in time when they were categorised as a punk band.
I think Bon Scott summarised the whole thing up the best:
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Yea I've always liked Jones as a guitarist (funny bugger too)I agree. The idea he was some genius puppet master is pretty ridiculous. He was a savvy, sleazy businessman who knew how to exploit opportunity. Matlock was part of the Cook, Jones gang too, then McLaren sacked him for a miscreant who couldn't play the bass.....at all. Purely for image.
Jones is actually a very good guitarist, and the sound he got on Never Mind The Bollocks was quite phenomenal. The opening chords of Holidays In The Sun.....
Yea I've always liked Jones as a guitarist (funny bugger too)
Getting rid of Matlock was a stupid move they all agree on now
AC/DC gained a cult following through touring extensively up and down the country. They didn't actually just turn up and blow everyone's mind. It took a bit more time than that.
Yea not surprising Mason ain't that musical to be honest, bit of a right time right place sort of guy.. Syd was probably completely non compos mentis by then I imagine.I was never huge on the British punk stuff myself, except for The Damned. That first album was incredible, the second album was woeful, and the third was great. For some reason they got Nick Mason from Pink Floyd to produce the second one having originally tried to get Syd Barrett to do it. Disastrous.
I didn't specify it was instant, but it happened. Some people will still claim that AC/DC are only world famous because of their Australian ubiquity, but there status was earned with relentless rocking.
Yea not surprising Mason ain't that musical to be honest, bit of a right time right place sort of guy.. Syd was probably completely non compos mentis by then I imagine.
Waters ain't that musical either. Gilmour was the talent in that band (excepting Syd of course).Yea not surprising Mason ain't that musical to be honest, bit of a right time right place sort of guy.. Syd was probably completely non compos mentis by then I imagine.
Poor Bon had done all the hard yards in the states too it's a damn shame he didn't live to follow up Highway to Hell the scene was set unfortunately it was set for Brian.
I reckon Barrett & Gilmour both did gel well with Rick Wright thoughWaters ain't that musical either. Gilmour was the talent in that band (excepting Syd of course).
Yeah, Wright was a solid musician.I reckon Barrett & Gilmour both did gel well with Rick Wright though
Waters can write but yea that's about it, his solo albums highlight how much he relied on Gilmour/Wright from the music side of things IMO
I reckon Barrett & Gilmour both did gel well with Rick Wright though
Waters can write but yea that's about it, his solo albums highlight how much he relied on Gilmour/Wright from the music side of things IMO
I remember reading a Syd book and when Syd was ousted Rick told the original management if he thought Syd was capable of ever getting it back together he would've left with him.And Wright was the only one of the original 4 who never publicly panned Barrett like the others did.
Yea nothing against Brian it's probably one of the most seamless replacements in rock history, for me the material goes down hill after BiB though but that's all just opinion.There is a horrible irony in Bon's passing and the band rising from the ashes to make Back In Black played a big part in the success of it.



