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12 Foot Ninja in less than 2 weeks and I'm more excited than a 17 year old boy on Prom night
BEST BAND EVER
BEST BAND EVER
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But I thought you said that in your experience that were absolute knobs? That can't be a very extensive experience if you've only just discovered was Wil looks like. (Edit: My bad, just seen that you said TSSB 'fans' not the band itself).I only saw what Wil Wagner looked like today. Wow. I imagined some rakey bloke in local band t-shirts wild medium sized hair and a beard he's been trying to grow but hasn't gotten very far. He's just a fat dude. I could definitely imagine him working in a Lord of the Fries; probably failed the interview stage at JB Hifi (I would too).
They'd definitely all be private schooled boys and girls; living in Northcote and Footscray but calling up mum and dad because Melbourne Bitter isn't that cheap. It's just painful. I have nothing against privilege except coming from a working class background, but ultimately this masquerading is a total insult. Chet Faker is a little bitch but at least his music is more so mopey and dull and a-political, but these guys singing about not being able to afford to live on Smith Street or social issues is outrageous. Their music is also hugely related to Aussie pub rock... something that comes with references to working class life.
But yeah, this is a good discussion on here. Enjoying some cynicism.
But I thought you said that in your experience that were absolute knobs? That can't be a very extensive experience if you've only just discovered was Wil looks like. (Edit: My bad, just seen that you said TSSB 'fans' not the band itself).
And ******* lol and inventing a bunch of details about a guy about which to dislike him. I don't particularly care if you or LA or anyone else dislikes the music or what he writes about. I'm a fan, but I don't know them personally and don't really care whether other people like them or not. I've even said that I can understand why people would find his voice off putting and his lyrics cringe worthy. But it's pretty pathetic to dislike him or dismiss his conviction based upon a premise that is entirely of your own invention and is nothing but assumption. You usually come across as a far more logical and considered poster than that when I've read your posts here and on other boards.
You're also mistaken about his lyrical content as well. It's far more, I dunno, existential, maybe, and reflective than you're making out. Rarely does he lament not being able to live in a certain place or with certain people because the system is against him but is instead critical of himself and his own choices that lead to issues of his own doing. Obviously there are a few exceptions most of his writing doesn't make him out to be anything he's not and, in fact, might just do the exact opposite.
Don't necessary disagree with some of that first paragraph, particularly the point about his introspections that wouldn't mean a lot to some people. Personally, I enjoy writers who include those details as links to the broader themes of a song or album, but I can understand that some people could find it uninteresting. I still don't agree that he's pretentious though, or that he takes himself too seriously. He reflects on his own failures as a human and in the choices he makes and he's quite often able to see the humour in those failures. In my experience he very rarely pretends to be something he's not.I think he's pretentious. Takes himself far too seriously, tries to be philosophical but isn't naturally clever (that first line in DTTL, wtf) and just has all these nondescript introspections that aren't remotely interesting unless you're Wil Wagner himself. He used to play folk-punk but actively denies it like it's not recorded history?
Sure, you get campaigners at gigs, but s**t, that's playing live music. To play in a rock band and get annoyed over moshing (and yeh some of it is too far) and get angry over it is a bit petty. For all their social crusading about being welcoming, they certainly aren't very open to certain demographics.
Don't necessary disagree with some of that first paragraph, particularly the point about his introspections that wouldn't mean a lot to some people. Personally, I enjoy writers who include those details as links to the broader themes of a song or album, but I can understand that some people could find it uninteresting. I still don't agree that he's pretentious though, or that he takes himself too seriously. He reflects on his own failures as a human and in the choices he makes and he's quite often able to see the humour in those failures. In my experience he very rarely pretends to be something he's not.
I completely disagree with your second paragraph. He's not getting annoyed at moshing, he's annoyed at dudes going to shows and getting excessively violent or those who think it's cool to sexually harass/assault women at gigs. That's not a behaviour that fits a certain demographic, but is spread across social and economic groups. There's absolutely nothing wrong with calling campaigners that engage in that kind of behaviour out and saying that it's not going to be accepted.
FWIW I prefer him and the band when they are more reflective and introspective rather than when they're making a comment on social or political issues, but I really don't understand the issue you have with that particular message. Why is not ok to be critical of that type of behaviour? Particularly when it can results in serious injury, like what happened to the guy in The Bennies.
Lads are generally pretty pissweak; the ones that song is about. Footy boys go out once a fortnight and drink nine VBs in a night and call it quits while the train is still going. I get the feeling Wil was one of those blokes that nobody at school even knew existed. Now he's moved to the trendy inner city and got a political trendy bent – it is the classic story of trendies and most of the population of Brunswick. He's just jealous 'footy lads' generally have a large circle of friends. And old Wil wouldn't be able to drop punt if his life depended on it. Long story short, some bloke who was playing in the EDFL earlier that day is not going to stab someone. More likely to piss in a pint glass.
If you want to pull out more examples of shoddy Wil Wagner songwriting, we can go down that path. I'm just using that particular tune as the most obvious and recent example of how mundane, pointless and non-cohesive his songs can be.
It’s really that capacity to translate the difficulties of real life into words and songs — without losing any of the honesty — which makes Wagner such a fascinating frontman. He blurs the lines between those small personal battles everyone faces – love, loss, hope – with the kind of conclusions you draw from thinking too much at 3am, like the universe, what we’re doing here and whether or not we’re totally ****ed. In fact, Wagner might be the only man who can make me feel like both a worthless pot-smoking thief and a misunderstood romantic in the same song.
I hate this. This is a weirdly massive social issues, and some people in some corners of the Tote would lead the belief that this is more pressing than melting ice or soft politics or wealth inequality.So all lads are blokes who start fights and make women feel unsafe? The Smith Street band really do cater to the most risk-averse, cerebral individuals.
I've got plenty of mates who know Wil from his Catfood Press days. He's always been incredibly serious, morose and just a very plain, boring dude. That's nice that you like his lyrics, but personally I find them incredibly bland and for all his attempted verbosity, not overly compelling. Someone compared him to Jordan Dreyer of La Dispute, but to me that's pretty far off the mark. Jordan has a pretty unique ability to create Edgar Allen Poe-esque pieces, which are carefully weaved together and actually have some sense of context. Compare that to -
Not a hater of TSSB, (although they are a tad overrated, but JJJ hype does that to most bands), but there is no way that Wil has lyrics comparable to Jordan Dreyer.
Personally, I can't see him writing something as great as the brilliant Nobody, Not Even the Rain and that is pretty close to a throw-away track on that album.
While it's not a return to form, it's got a feeling of Strawberry Jam/Water Curses AC era in there. Not something I'm going to listen to a lot of, but I'm actually surprised by how OK this is.
New Linkin Park is absolute garbage, new Incubus is decent on the other hand
Sounds exactly like everything else on Fox, Nova ect. I absolutely hate it and I'm usually supportive of bands trying new thingsL.P's new song sounds like a desperate attempt to make Triple J or mainstream radio. Have stood up for Linkin Park over their last few softer albums, but hearing Shinoda say this song is the best representation of the new album is horrid and has ruined any chance of me getting it. When Nickelback releases a better new single than Linkin Park, you know the world is going crazy
Sounds exactly like everything else on Fox, Nova ect. I absolutely hate it and I'm usually supportive of bands trying new things
Both are young navel gazing styles of writing, I think Jordan is far more creative though, whereas Wil is still kind of using generic teenage angst as his driving point.Not a hater of TSSB, (although they are a tad overrated, but JJJ hype does that to most bands), but there is no way that Wil has lyrics comparable to Jordan Dreyer.
Personally, I can't see him writing something as great as the brilliant Nobody, Not Even the Rain and that is pretty close to a throw-away track on that album.
Then again some girls at shows are awesome. I made friends with one at a Bloc Party concert when I was alone and she was too. She was pretty ugly though. Yes I'm a chauvinist. I came in too early in "is your bed maaaade?" at Vampire Weekend when they were touring Modern Vampires here, and she laughed and said she was following my lead all night and I owed her. Ended up having a good chat and a laugh while we lost our mates. Only lasted a song and a half but the bond was there.
Unfortunately, mostly, the bond ain't.